I painted the crosswalks over the course of three days using the City’s roadmarking tools, traffic paint, and equipment. I only pre-designed part of one section and relied on my ability to ‘play jazz,’ improvising with the giant stencils of symbols and letters on-site. My goal was to strike a balance in terms of 'weight' and color, while also uncovering new patterns and symbols through creative configuration.
Big shout-out to Lancaster's traffic painting crew—Chris, Dave, and Gary—for their assist. Initially skeptical about my vision and the use of their equipment, they gradually got on board as the work took shape, ultimately helping bring it to life.
Commissioned by the City of Lancaster in collaboration with the Museum of Art and History, and curated by Museum Manager Andi Compognone.
